Reviews and events

Tryanuary Leeds 2018

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As we are fast approaching Christmas, we thought that we should update you with the events that are currently planned for Tryanuary. There should be more as we progress towards the end of the year, so keep checking back! If you are a bar/brewery/bottleshop and would like to organise something, please get in touch via Twitter or Facebook.

3rd Jan – Books and Beer at the Triangle, Shipley

Drink fine beer and talk Literature with likeminded folks.

https://en-gb.facebook.com‎/shipleytriangle

6th January – Tryanuary Bradford – Leeds Crawl.

Join us as we venture from Bradford to Leeds, hitting beer hotspots as we go. Most of the Leeds section will be determined by a series of twitter polls, so don’t forget to cast your votes. More information at https://whoseroundisitanyway.wordpress.com/2017/12/04/tryanuary-pub-crawl/

12-14th January – Brewdenell Beer Festival, Brudenell Social Club, Hyde Park, Leeds

Brewdenell once again returns for another year of great beer from the UK and beyond in the now-expanded Brudenell Social Club – a must visit!

https://twitter.com/brewdenell?lang=en

18th January – Wapentake Multiple Tap Takeover, Wapentake, Kirkgate, Leeds

On Thursday the 18th Wapentake will be serving up treats from Nomadic Beers, Crooked Brewing and Eyes Brewing – three of Leeds’ newer breweries, all of whom are already making waves across Yorkshire. Come on down and chat with the brewers, and sample some treats from Cask and Keg.

20th January – Bottleshare at the Triangle, Shipley

Bring along a sharing bottle or two smaller bottles of your favourite/rarest/most interesting beer to share with others, simple as that really! Expect the weird, wonderful and downright excellent.

25th January – Leeds Night Market, Kirkgate Market, Leeds

Come along for an evening of independent food and drink from some of the regions finest producers. There’ll be good beer, entertainment and a great atmosphere.

27th January – Wishbone Brewery Tap, Keighley

Wishbone will be opening their Brewery Tap between 12-7 with the theme ‘New Year, New Beer’. Cask or Keg, there will be delights for sipping, as well as on site food. http://www.wishbonebrewery.co.uk/events/

28th January – Lambic and Sour Beer Tasting, The Triangle, Shipley

The Triangle will be hosting a tasting of some of the finest Sour and Lambic beer there is. Rarities and aged bottles will be served for a small fee, to be confirmed.

https://en-gb.facebook.com‎/shipleytriangle

Want to get in touch? Contact @barrelagedleeds, @leedsbeerwolf or @viewsfromthebar on Twitter

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Opinion and rants

Heineken stir the pot in Brixton

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When we talk about takeovers of UK breweries, the term selling out is used liberally. However, when the likes of Brixton Brewery accept investment by Heineken, I question what impact will it really have within the needs of the existing craft beer market. I, and no doubt, you, almost exclusively purchase beers I enjoy from independent brewers because I enjoy how they taste, because I take pleasure from supporting small, often local businesses, and also, sometimes guiltily just because I enjoy the shimmer of the shiny ‘new’.

To state the obvious, for situations like Brixton/Heineken to arise, both sides need to be assured that the partnership brings value. Brixton are still a relatively obscure brewery nationally, with a decent and sometimes very good range of beer. The news of the Heineken investment is not a hammer blow to craft beer in the UK, but neither is it insignificant as it signifies that the biggest breweries are recognising that in order to catch the eye in a changing market they must play by at least some of the rules. Fake brands, rebadging, overpowering takeovers are easy to spot and dismiss, but having a genuine interest in a collaborative product is a compromise that is less likely to generate contempt that can spread outwards from the mindset of the hardcore beer enthusiast to the more casual drinker.

If the injections of corporate funds into the likes of Brixton Brewery are anathema to what hardcore craft beer drinkers value, this is not a wider concern of the majority of people ordering pints in bars across the UK. In their own way Heineken are effectively validating the importance of provenance, quality and innovation in UK beer by carrying out these investments (or buyouts if you prefer) and for them, acknowledging competition is ultimately a form of respect. Diversifying their offering is the only logical reaction to what has been happening on a minor, yet increasing scale – and ultimately, if it gets better beer in the view of the majority of drinkers, why can it be begrudged?

Ultimately, whatever happens to Brixton in terms of Heineken’s investment. The behaviour of the majority of those of us who spend time investing a piece of ourselves in the beer and breweries we enjoy will not change. If the tastes of the wider drinker catches up with us, that’s fine too, but I don’t feel that good beer is endangered by deals such as these, partially as there will always be people like me who value quality and independence. Currently, the flow of UK craft beer scene is trickling out into its surroundings, and whether or not Heineken will help the taps run faster is debatable, but there’s plenty of people willing to give the handle a turn and see what happens, be they craft, or corporate.

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Opinion and rants

330 on…Leeds International Beer Festival

Can sized thoughts and musings

After a long, muggy, windy season (I’m not calling it Summer) we’re finally here again. Usually, I’d come up with a preview or review, but with lots of LIFE things going on at the moment, I’ve scaled it down a bit. Plus, I’m a bit rusty at this writing lark. Unless there’s an early avalanche on baby mountain I’ll be attending two sessions of the festival this year, and although it’s my fifth in a row I’m looking forward to it more than ever.

 
Optimism wasn’t initially high earlier this year when Beavertown launched their own beer weekender on the same dates. Fears of breweries and punters being drawn away were voiced, but unfounded, and this year’s LIBF lineup is one of the most intriguing yet. As well as the launch of this year’s Rainbow Project, first time attendees such as Track, Verdant and Odyssey are fresh fish amongst the hardened beer festival veterans.

LIBF is never just about the beer though, and the evening party feel of previous years looks to continue with well chosen bands and entertainment. Ramones cover band? Live film scores? I’m happy to chat and compare notes during the day sessions, but this is a fest that has a welcome evening gear shift into outright entertainment.

The site is roomy enough to move around easily during the day session, with lots of intimate spaces for a bit of respite and a chat, and that adds to the personality of the event. As ever, one of the best aspects of a beer festival should be other drinkers – and while there will be plenty of them, the feel of the day is relaxed rather than hectic. It’s always good to see friends from far and wide, but I also enjoy just seeing a diverse range of people at a beer event enjoying themselves, just as I plan to.

 

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Opinion and rants

The Session #123 – Do you even blog, Bro?


For this month’s The Session, Josh from Beer Simple is asking us to ponder whether the Internet has been a help or a hindrance to craft beer. 

For the most part attitudes to online interaction have changed significantly from when I was a teen and online activities were only just becoming part of everyday life. Telling someone you’d met a friend/partner online back then would have attracted suspicion and concern for your wellbeing, and online discussion of even the least niche of topics would have you marked as an anti-social nerd. Now, blogging and vlogging is actively seen as a desirable thing to participate in, especially by marketeers.

Their emphasis on individual expression of opinion as ‘authentic’ has created a new way of obtaining cultural capital – maybe your opinion *does* matter – and consequently to participate in these activities and have your ideas acknowledged has become aspirational in itself.  The beer community isn’t separate from this – I’ve met people who feel the need to blog in order to have their opinions validated, or to be acknowledged that they are ‘into’ beer. Conversely, I’ve talked to people who devote their time to discussing beer online who have a ‘do you even blog, bro?’ attitude. 

Whilst I don’t think that craft beer blogging is subject to the level of falsity of paid-for content that other, less niche interest sites are, the desire to be recognised as knowledgeable coupled with the thrill of being ‘liked’ online can also be seen as compromising to the quality and diversity of beer – e.g ‘Blogger X says this beer is great, and that more Brewers should be doing something similar, and they have loads of followers – should I say the same?’ ‘As a beer lover, all these people are saying this is great, I should probably try it.’ ‘I brewed this IPA and these reviews are creating a buzz for this beer, I’ll make something similar soon, with a twist!’ 

Sometimes, of course, good beer is good beer, and there are loads of great bloggers, podcasters and vloggers out there who are objective and distinctive.  I don’t mean to be critical of anyone on a personal level, especially considering I don’t blog that often – spare time being the main factor but also because I don’t want to be retreading other people’s praise, and neither do I have the guts or desire to criticise other people’s hard work. Being overtly scathing  isn’t always necessary, but healthy self-awareness and constructive critical thinking of trends and fads within beer is, even if you don’t write about it overtly. Whenever there is a chorus of praise for something, I also try and think about those who aren’t singing at all. 

The internet has given me a plethora of information – on styles, on breweries, on individual beers – as well as the ability to chat and make friends with people I’d never have ended up meeting without it, so I’ve got a lot to be grateful for. But, like most things, sometimes there’s a tendency to get swept along by the positives, to a point where the downsides get overlooked – and sometimes the internet acts solely as a cheerleader for beery causes or ideals, when a degree of detachment would be more appropriate.

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Opinion and rants

The Session #121 – Bock

This month’s Session is hosted by Jon Abernathy of The Brew Site who has nominated Bock as the topic of discussion;

‘The month of March heralds the start of spring, and March 20 is even National Bock Beer Day. So Bockbiers seemed like a natural fit for the month!

Don’t feel constrained to simply write a review of a Bock beer, though I’m certainly interested to read any reviews that come it. Some other ideas to consider:

  • Dig into into the history of the style—their ties to Einbeck, the differences in the development of Bocks and Doppelbocks, and so on.
  • Do any of your local breweries brew a Bock-styled beer? Seek it out and write about it.
  • Alternatively, interview your local brewer who brewed that beer; get their take on the style and why/how they brewed it the way they did.
  • Have you ever attended Bockfest in Cincinnati, Ohio? It just so happens to take place the first weekend of March—write a review for The Session!
  • There are already the styles of traditional Bock, Doppelbock, Maibock, Eisbock, Weizenbock (and Helles Bock and Dunkles Bock in the BJCP) guidelines. Just for fun, invent a new style of Bock and describe it.
  • Have you homebrewed a Bock or similar style? Tell us about it, and anything you learned brewing this lager style at home.
  • Bock puns!’

To be honest, i’m finding it hard to resist the final suggestion, but my pun gun has long been retired and i’ve tried to commit myself to writing something other than a straightforward review for this month’s post. Here goes, can’t bock out of it now….dammit.

My first thought when I saw the topic for this month was about as far removed from ‘craft’ beer as it is possible to get. My mind wandered back to 2005, when I was definitely not ‘into’ beer – pretty much every purchase I made would have been at the supermarket, and one such trudge through the aisles turned up something new, and to me at the time, exciting – Artois Bock.

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In 2005, Stella Artois was ubiquitous in the UK, far from being ‘reassuringly expensive’ it was seemingly in every pub, bar and chain swill house in the country. The attempts at marketing itself as a luxury, heritage brand had given way to the image of smashed Brits consuming it by the bucket load. As Pete Brown, who had played a large part in ensuring the success of original campaign to position Stella Artois as a quality, premium product in a sea of 4%-ish pale lager, wrote in 2008, Artois Bock had a far more authentic claim to the storied history that was being written for Stella, but the powers that be failed to recognise this and rested on their laurels, delaying the launch by 6 years.

By the time of its eventual release in 2005, the Stella brand had been tainted and recycled into a byword for Saturday night thuggery. It seemed like whenever an incident of drunken disorder was reported, the suggestion was made that it was fuelled by this particular ‘strong’ lager, even though there were plenty of other similar products on the market. Concern from alcohol bodies and the press about binge drinking was a familiar theme, and even at launch InBev were fighting off accusations that the introduction of a 6.2% ABV beer into the UK market was irresponsible.

Looking back at the concern and debate around Stella as a whole, and the launch of Artois Bock in particular, it seems odd, if not laughable when compared to what is readily available in many beer bars up and down the country in 2017. However, there is a peculiarly British obsession with ABV, and Stella’s original strength of 5.2% would have seen it fall firmly into the category of ‘loopy juice’. To launch a new style at this time, at a higher strength, from such a mainstream brand, with a reputation like Stella’s was going to overshadow any marketing, no matter how good the product. Even if it was a bold move by InBev, and actually one that tried to introduce new ideas to their existing market, it seemed a last roll of the dice in trying to position the overall brand as worthy. 

Unfortunately for InBev, it seems from the available apocryphal evidence that the product was also a bit crappy. My own memories of the beer are almost useless – i didn’t really know what it was, I preferred the Peeterman Artois (a wheat-based lager with coriander that was quickly dumbed down even further), and of course, it was 6.2%! I couldn’t have drunk more than a few bottles of that! Loopy juice isnt it?

12 years on, and while I still look in on the Bock family from time to time (Paulaner Salvator currently being sipped), it’s never really taken a place on the podium of styles I really savour. I certainly cannot argue that the stalled curate’s egg of a large macro trying to introduce a minority style into the mass market put me off persisting with Bocks – i just think I prefer my bread in solid rather than liquid form.

 

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Reviews and events

The Session 120: Brown Beer


For this month’s Session topic, Joe Tindall who writes at The Fatal Glass of Beer has nominated a tricky subject to blog about. I say tricky, because in the discourse of modern beer ‘Brown’ has become a inexplicably maligned descriptor, and brown ale as a style is often overlooked or derided.

Brown is what your parents drank. Brown is dull and lifeless. Brown is  unfashionable, and comes in clear bottles, from brands that no longer exist as independent entities, so passé that they’ve become a joke even amongst the communities that they sprouted from. However, Brown ales are also flavourful, rich, moreish, and despite the negatives, are still one of the most satisfying styles around, even more so when brewed with care and creativity.

My original intention for this post was to find a couple of the classics, and drink them side by side with some newer examples. I quickly realised that it would be a pointless task, mainly because the likes of Newcastle Brown and Mann’s have been reduced to pointlessness by a indifferent beer market and the financial pressures of supermarket discounting.

Also, as most contemporary brown ales available are jazzed up and trend-driven, a comparison would be uneven. So instead of digging up the time capsule and finding nothing but a mouldy newspaper and a badly spelled letter, I picked up two bottles that I thought would be at distant ends of the modern Brown ale scale.


Blackjack Brewery are one of Manchester’s new wave of railway arch Brewers, nestled up in the Green Quarter on the edge of the city centre. The River is a Farmhouse Brown that is billed as ‘far from ‘brown’ as it gets’. There is certainly a extreme funk in the air as I pop the cap, and a small gush of foam – the yeast in the bottle has certainly been working away – but the liveliness still sprays out a nutty aroma that screams brown ale.

To taste, I’m getting a lot of banana esters and also a sweet toasty cocoa. The yeasty, brett-like funk gives it an edge that seems a little strange, almost distracting at first, but as a counterpoint it works. I would have liked a bit more spice, perhaps, but it’s a good concept and pretty well executed too.


Odyssey Brew Co are a new, but increasingly lauded brewery hidden away in deep countryside between Hereford and Worcester. They’ve attracted a lot of attention for their range of aggressively flavoursome beer, and this imperial oatmeal stout fits in with that ethos.

My bottle is full of vanilla, coffee and chocolate, and is thick, with a sharp boozy finish – almost akin to a bourbon aged stout. However there is also that characteristic brownness underneath, with lots of sticky caramel and a gentle bitterness. My only criticism would be that on the finish the vanilla slightly overpowers the other flavours.

To be honest, my previous Odyssey experiences didn’t leave me reeling with excitement, but this beer shows why they’ve got a lot of praise. A real hefty pudding of a beer.

With these two beers, and others I’ve tried recently – North Brewing Co’s Bulkhead and Magic Rock’s The Stooge, both excellent from cask – there is clearly life in the style amongst UK brewers, even if the parameters of the style are being ever more stretched. 

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Fridge Favourites, Reviews and events

A Pirate Life for me

David at Bier Huis in Ossett, near Wakefield stocks a wide range of great beer, mostly from the UK but with decent picks from Europe and the USA, and when I pop in I often find something I havent seen or heard of before. 

Upon my last visit I was intrigued to see a selection of beers from Pirate Life Brewing. Australian beer is a rare thing to see in the U.K outside of the usual macro suspects, and so I picked up one each of the cans on offer for an evening’s entertainment. 

The Throwback Session IPA was the first to be popped, and it poured as expected – light, golden and clear. There was a crisp, underwhelming aroma but with a sweet lemony hint. Befitting it’s name the finish was quite like a light session bitter rather than a pale, but the flavours were easy going and fruity, and the Simcoe shone through in a lightly savoury aftertaste. A thoroughly smashable easy drinker, and not quite what I expected from an Aussie brewery (I know, prejudiced stereotyping here) – I could imagine this being drunk by the pint from a  cellar cool cask.

The Pale also took my tastebuds by surprise. The aluminium cracked, the contents unleashed a big foamy whoosh into my glass, and there was a musky, piney, peppery aromatic flood. There wasnt much fruit on the nose, but lots of syrupy pineapple, and sticky malt on the tongue. Bitter and fresh, it certainly didn’t taste like it had been affected by the beer miles from Adelaide to West Yorkshite. Strongly resinous and sweet, I’d describe the Pale as Torpedo-esque, oily and thick. One to try and try again.

Following the Pale I had great expectations for the IPA. A slightly hazy amber in the glass, this is more of a typically west coast IPA, with Centennial to the fore on the aroma. On the tongue I got sherbet orange and lime, a lot less bitter than the pale, but still sweetly citric. More so than the pale, there was a now commonplace savoury aftertaste where I’d like to find a more pronounced bitterness. Not quite what I want, but I appreciate it for being more than a box ticker, and I’ll be trying this again.

I left the IIPA until the next day, as at 8.8% and 500ml, I didn’t think I would be giving it a fair trial after the other three. Similar to the Pale in colour, perhaps a shade or two darker, it was dialled up to eleven on the dank and juicy scale. There’s lots of passion fruit and mango, but with the pungent bitterness to cut through. An Double IPA that pays as much attention to the use of malt as the hops, this is thick and full but a different kind of prospect to the current run juice-like IPAs. Although I didn’t notice it at the time of purchase, due to chatting about beer, this certainly wasn’t cheap but it definitely was memorable, and given the distance travelled, volume of the can and level of quality provided it was justified. 

Many times, I’ve gone off plan and bought something exotic or unusual and been disappointed, but Pirate Life have created two good and two great beers that I’m pleased I stuck my cash on the line for. 

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