Reviews and events

Tryanuary Leeds 2018

images

As we are fast approaching Christmas, we thought that we should update you with the events that are currently planned for Tryanuary. There should be more as we progress towards the end of the year, so keep checking back! If you are a bar/brewery/bottleshop and would like to organise something, please get in touch via Twitter or Facebook.

3rd Jan – Books and Beer at the Triangle, Shipley

Drink fine beer and talk Literature with likeminded folks.

https://en-gb.facebook.com‎/shipleytriangle

6th January – Tryanuary Bradford – Leeds Crawl.

Join us as we venture from Bradford to Leeds, hitting beer hotspots as we go. Most of the Leeds section will be determined by a series of twitter polls, so don’t forget to cast your votes. More information at https://whoseroundisitanyway.wordpress.com/2017/12/04/tryanuary-pub-crawl/

12-14th January – Brewdenell Beer Festival, Brudenell Social Club, Hyde Park, Leeds

Brewdenell once again returns for another year of great beer from the UK and beyond in the now-expanded Brudenell Social Club – a must visit!

https://twitter.com/brewdenell?lang=en

18th January – Wapentake Multiple Tap Takeover, Wapentake, Kirkgate, Leeds

On Thursday the 18th Wapentake will be serving up treats from Nomadic Beers, Crooked Brewing and Eyes Brewing – three of Leeds’ newer breweries, all of whom are already making waves across Yorkshire. Come on down and chat with the brewers, and sample some treats from Cask and Keg.

20th January – Bottleshare at the Triangle, Shipley

Bring along a sharing bottle or two smaller bottles of your favourite/rarest/most interesting beer to share with others, simple as that really! Expect the weird, wonderful and downright excellent.

25th January – Leeds Night Market, Kirkgate Market, Leeds

Come along for an evening of independent food and drink from some of the regions finest producers. There’ll be good beer, entertainment and a great atmosphere.

27th January – Wishbone Brewery Tap, Keighley

Wishbone will be opening their Brewery Tap between 12-7 with the theme ‘New Year, New Beer’. Cask or Keg, there will be delights for sipping, as well as on site food. http://www.wishbonebrewery.co.uk/events/

28th January – Lambic and Sour Beer Tasting, The Triangle, Shipley

The Triangle will be hosting a tasting of some of the finest Sour and Lambic beer there is. Rarities and aged bottles will be served for a small fee, to be confirmed.

https://en-gb.facebook.com‎/shipleytriangle

Want to get in touch? Contact @barrelagedleeds, @leedsbeerwolf or @viewsfromthebar on Twitter

Advertisements
Standard
Opinion and rants

Heineken stir the pot in Brixton

images

When we talk about takeovers of UK breweries, the term selling out is used liberally. However, when the likes of Brixton Brewery accept investment by Heineken, I question what impact will it really have within the needs of the existing craft beer market. I, and no doubt, you, almost exclusively purchase beers I enjoy from independent brewers because I enjoy how they taste, because I take pleasure from supporting small, often local businesses, and also, sometimes guiltily just because I enjoy the shimmer of the shiny ‘new’.

To state the obvious, for situations like Brixton/Heineken to arise, both sides need to be assured that the partnership brings value. Brixton are still a relatively obscure brewery nationally, with a decent and sometimes very good range of beer. The news of the Heineken investment is not a hammer blow to craft beer in the UK, but neither is it insignificant as it signifies that the biggest breweries are recognising that in order to catch the eye in a changing market they must play by at least some of the rules. Fake brands, rebadging, overpowering takeovers are easy to spot and dismiss, but having a genuine interest in a collaborative product is a compromise that is less likely to generate contempt that can spread outwards from the mindset of the hardcore beer enthusiast to the more casual drinker.

If the injections of corporate funds into the likes of Brixton Brewery are anathema to what hardcore craft beer drinkers value, this is not a wider concern of the majority of people ordering pints in bars across the UK. In their own way Heineken are effectively validating the importance of provenance, quality and innovation in UK beer by carrying out these investments (or buyouts if you prefer) and for them, acknowledging competition is ultimately a form of respect. Diversifying their offering is the only logical reaction to what has been happening on a minor, yet increasing scale – and ultimately, if it gets better beer in the view of the majority of drinkers, why can it be begrudged?

Ultimately, whatever happens to Brixton in terms of Heineken’s investment. The behaviour of the majority of those of us who spend time investing a piece of ourselves in the beer and breweries we enjoy will not change. If the tastes of the wider drinker catches up with us, that’s fine too, but I don’t feel that good beer is endangered by deals such as these, partially as there will always be people like me who value quality and independence. Currently, the flow of UK craft beer scene is trickling out into its surroundings, and whether or not Heineken will help the taps run faster is debatable, but there’s plenty of people willing to give the handle a turn and see what happens, be they craft, or corporate.

Standard
Opinion and rants

330 on…Leeds International Beer Festival

Can sized thoughts and musings

After a long, muggy, windy season (I’m not calling it Summer) we’re finally here again. Usually, I’d come up with a preview or review, but with lots of LIFE things going on at the moment, I’ve scaled it down a bit. Plus, I’m a bit rusty at this writing lark. Unless there’s an early avalanche on baby mountain I’ll be attending two sessions of the festival this year, and although it’s my fifth in a row I’m looking forward to it more than ever.

 
Optimism wasn’t initially high earlier this year when Beavertown launched their own beer weekender on the same dates. Fears of breweries and punters being drawn away were voiced, but unfounded, and this year’s LIBF lineup is one of the most intriguing yet. As well as the launch of this year’s Rainbow Project, first time attendees such as Track, Verdant and Odyssey are fresh fish amongst the hardened beer festival veterans.

LIBF is never just about the beer though, and the evening party feel of previous years looks to continue with well chosen bands and entertainment. Ramones cover band? Live film scores? I’m happy to chat and compare notes during the day sessions, but this is a fest that has a welcome evening gear shift into outright entertainment.

The site is roomy enough to move around easily during the day session, with lots of intimate spaces for a bit of respite and a chat, and that adds to the personality of the event. As ever, one of the best aspects of a beer festival should be other drinkers – and while there will be plenty of them, the feel of the day is relaxed rather than hectic. It’s always good to see friends from far and wide, but I also enjoy just seeing a diverse range of people at a beer event enjoying themselves, just as I plan to.

 

Standard
Opinion and rants

The Session #121 – Bock

This month’s Session is hosted by Jon Abernathy of The Brew Site who has nominated Bock as the topic of discussion;

‘The month of March heralds the start of spring, and March 20 is even National Bock Beer Day. So Bockbiers seemed like a natural fit for the month!

Don’t feel constrained to simply write a review of a Bock beer, though I’m certainly interested to read any reviews that come it. Some other ideas to consider:

  • Dig into into the history of the style—their ties to Einbeck, the differences in the development of Bocks and Doppelbocks, and so on.
  • Do any of your local breweries brew a Bock-styled beer? Seek it out and write about it.
  • Alternatively, interview your local brewer who brewed that beer; get their take on the style and why/how they brewed it the way they did.
  • Have you ever attended Bockfest in Cincinnati, Ohio? It just so happens to take place the first weekend of March—write a review for The Session!
  • There are already the styles of traditional Bock, Doppelbock, Maibock, Eisbock, Weizenbock (and Helles Bock and Dunkles Bock in the BJCP) guidelines. Just for fun, invent a new style of Bock and describe it.
  • Have you homebrewed a Bock or similar style? Tell us about it, and anything you learned brewing this lager style at home.
  • Bock puns!’

To be honest, i’m finding it hard to resist the final suggestion, but my pun gun has long been retired and i’ve tried to commit myself to writing something other than a straightforward review for this month’s post. Here goes, can’t bock out of it now….dammit.

My first thought when I saw the topic for this month was about as far removed from ‘craft’ beer as it is possible to get. My mind wandered back to 2005, when I was definitely not ‘into’ beer – pretty much every purchase I made would have been at the supermarket, and one such trudge through the aisles turned up something new, and to me at the time, exciting – Artois Bock.

beer_49038

In 2005, Stella Artois was ubiquitous in the UK, far from being ‘reassuringly expensive’ it was seemingly in every pub, bar and chain swill house in the country. The attempts at marketing itself as a luxury, heritage brand had given way to the image of smashed Brits consuming it by the bucket load. As Pete Brown, who had played a large part in ensuring the success of original campaign to position Stella Artois as a quality, premium product in a sea of 4%-ish pale lager, wrote in 2008, Artois Bock had a far more authentic claim to the storied history that was being written for Stella, but the powers that be failed to recognise this and rested on their laurels, delaying the launch by 6 years.

By the time of its eventual release in 2005, the Stella brand had been tainted and recycled into a byword for Saturday night thuggery. It seemed like whenever an incident of drunken disorder was reported, the suggestion was made that it was fuelled by this particular ‘strong’ lager, even though there were plenty of other similar products on the market. Concern from alcohol bodies and the press about binge drinking was a familiar theme, and even at launch InBev were fighting off accusations that the introduction of a 6.2% ABV beer into the UK market was irresponsible.

Looking back at the concern and debate around Stella as a whole, and the launch of Artois Bock in particular, it seems odd, if not laughable when compared to what is readily available in many beer bars up and down the country in 2017. However, there is a peculiarly British obsession with ABV, and Stella’s original strength of 5.2% would have seen it fall firmly into the category of ‘loopy juice’. To launch a new style at this time, at a higher strength, from such a mainstream brand, with a reputation like Stella’s was going to overshadow any marketing, no matter how good the product. Even if it was a bold move by InBev, and actually one that tried to introduce new ideas to their existing market, it seemed a last roll of the dice in trying to position the overall brand as worthy. 

Unfortunately for InBev, it seems from the available apocryphal evidence that the product was also a bit crappy. My own memories of the beer are almost useless – i didn’t really know what it was, I preferred the Peeterman Artois (a wheat-based lager with coriander that was quickly dumbed down even further), and of course, it was 6.2%! I couldn’t have drunk more than a few bottles of that! Loopy juice isnt it?

12 years on, and while I still look in on the Bock family from time to time (Paulaner Salvator currently being sipped), it’s never really taken a place on the podium of styles I really savour. I certainly cannot argue that the stalled curate’s egg of a large macro trying to introduce a minority style into the mass market put me off persisting with Bocks – i just think I prefer my bread in solid rather than liquid form.

 

Standard
Opinion and rants, Reviews and events

Session 119 – Discomfort Beer

img_3254

This post is a contribution to Beer Blogging Friday where a host volunteers to choose a topic for bloggers to write about and then collates the responses.  This time,  Alec Latham has chosen the topic of “Discomfort Beer”, and contributions are focused on beers that challenged, disgusted, or changed the opinion of the writer.

Back in about 2011, I thought I ‘knew’ about beer, mainly because I’d successfully booked a trip to Brussels in 2006 and it coincided with the annual Brussels beer weekend – not that I knew it was on. My partner and I enjoyed it so much that we roped in a few others for a return trip the year after, and the year after that.
With these repeat visits, I had chucked back what I thought at the time were exceptionally strong beers, in a rather typically cavalier youngish Brit abroad fashion. We shared and tried a list of beers that I cannot recall in much detail, and I certainly didn’t really make any attempt to learn much about them at the time. Beer was beer, even Belgian beer. We laughed at the silly outfits of the brewers at the parade, and even made some jokes about the name of some bloke called Michael Jackson sitting in a tent with a load of books he was signing.

As the quote goes ‘the past is a foreign country’, and although in this instance that was literally true, it was my last visit to the Beer weekend in 2011 that demonstrates the figurative truth behind it, and which relates to the topic for this session.

‘One Boon Gooze please’, I said as I approached Boon’s stall. ‘Ok…coming up’ said the hesitant server who had obviously dealt with plenty of oblivious tourists ordering his produce that weekend, and pulling the same mystified/disgusted expression that was to wash over my face in approximately three minutes. My last few tokens of the weekend were handed over, and I looked forward to my last beer of the festival on a Sunday afternoon that had been mercifully dry, compared to the heavy showers of the other sessions.

One swift gulp later, I was wondering what exactly it was that I’d ordered. Was this beer? It smelt like sweaty cider and cheese, and it certainly didn’t taste like what I’d come to expect from Belgian beer – sweet and strong, with or without fruit. Even the Coconut beer we made our friends order as a kind of initiation tasted more palatable than this. Still, not being a person not to finish his beer, I persisted and finished my glass. I thought ‘I’ll take a photo of this, so I don’t order it again next year’, which is the photo above.

My perceptions and reaction planted the seed of doubt in my head – what was this? Did I just not ‘get it’? And so I started looking into the brewery, and then the style of beer, and who Michael Jackson was. Five years on and I know that what I was tasting was almost certainly Boon’s Oude Gueuze, which for a novice to the style was probably the worst introduction. However, it had the effect of prompting me to expand my horizons in a way that the Blondes and Bruins and syrupy sweet Framboises didn’t.

I’m grateful that the person serving me at Boon’s stall didn’t pause to ask ‘have you had this before?’ and recommend something less challenging from another brewer. It’s been much more fun learning about beer following that uncomfortable experience

Standard
Reviews and events

#12DaysofXmas – Day 10 – Pannepot Reserva 2012

The end is in sight, and we’ve got two barrel-aged old ales to drink before the finale on New Year’s Eve. First up is the second beer of this year’s selection from De Stuise Brewing – Pannepot Reserva.

Named after a type of fishing vessel, Struise say this pitches somewhere between a strong dark ale and a stout, and the 2012 reserva is aged on French oak barrels for 14 months.

Poured, the colour is almost as black as a Priest’s socks, and with a strong initial fizz which forms a caramel tinged head. The aroma immediately brings to mind both strong dark chocolate and tobacco. I don’t think I’ve had a beer for a while that has such a formidable sense of taste before I’ve even had a sip.
The flavour stands up to expectations, full of sweet dark fruits, coffee and bitter chocolate. There is also a delicate carbonation that gives a winey dryness, and this helps add to the sense of luxuriance that emanates from the glass. Even more so given that this was a relatively inexpensive beer.

Becky is eyeing this beer eagerly, and I’ve passed the second half of the glass over to her. ‘I’m going to try and be sensible but I’ve already had a large glass of red wine, and I’m laughing at ‘caramel tinged head’. Anyway here goes…. I am guilty of judging a beer by its label and when I go to buy my beer I very much base my initial beer buying decision on the look of the can/bottle. This bottle is the beer equivalent of those 99p classics they sell in The Works and I wouldn’t have been drawn to it had I been choosing tonight’s beer.

I know what Gareth means about the initial fizz. It’s almost like eating one of those shit cola bottles that is fizzy for one suck then you’re just into the ‘flat’ jelly. The overall flavour is delicious, almost like a combination of coffee and red wine. This beer just goes to show you should not judge a beer by its cover and I will endeavour to change my beer buying habits.’

There you go, I’m a source of constant fun in this house as you can tell. At least the beer wasn’t laughable. Another excellent bottle, looking forward to hopefully more of the same tomorrow.

Standard
Opinion and rants

Golden Pints 2016

Golden Pints Logo
As I raised glasses of beer to my lips in 2016, there was a chance the taste would be adulterated by the steady stream of bitterness spewing forth from my reaction to the year’s events. As we step tentatively towards another year, here’s hoping the following beers don’t cark it/get watered down following a takeover/withdrawn from the market following a referendum.

Best UK Cask Beer – for the second year running my consumption of Cask beer has been low, in part due to the proflieration of keg across Leeds, in part due to a lack of places consistently serving it well. Magic Rock’s Common Grounds stands out as a memorable pint, even if it wasn’t that widely available on cask.

your-betrayal
Best UK Keg Beer – Marble have cranked and revamped their output this year, and their Heavy Metal series was full of delights. The few pints of Your Betrayal I had at their Thomas Street bar in Manchester were near-revelatory. More and more great Lager followed later in the year, but I kept coming back to this one as a quality marker.

Best UK Bottled Beer – Tzatziki Sour by Mad Hatter never ceases to amaze and confuse. A modern classic for me, and one of those beers where I love watching people’s initial reaction. Runners up go to Thornbridge’s barrel aged releases, Love Amongst the Ruins being another favourite.

 
Best UK Canned Beer – Northern Monk’s collaborative Trilogy of Hops, Malt and Yeast produced three great beers, but Hops was pretty much as perfect an IPA as I could wish for. Occasionally, it seems like a beer has been brewed to match your exact taste, and Hops ticked all the boxes for me.

 
Best Overseas Draught – Narrowly missing out on best overseas bottle, 8-Wired’s Hopwired IPA was a showcase of NZ brewing and a dank, deep dip into a whirlpool of hops.

logsdon-peche-n-brett
Best Overseas Bottled Beer – Thanks to generous fellow bottleshare attendees, I was lucky enough to try two Bottles from Logsdon Farmhouse Ales, both of which were outstanding. Their Peche n’ Brett was one of my favourite beers of the year, and i NEED more.

 

Best Overseas Canned Beer – Almost by default I’m choosing Cigar City’s Jai Alai, as I didnt have an awful lot of overseas cans, but what a beer it is. Truly a great example of what US breweries can produce, and still one example of the sort of standard our brewers should be looking to emulate. To Øl’s cans were also wondrous, especially Sur Amarillo.

 
Best Collaboration Brew – Probably one on many people’s list – Magic Rock/Cloudwater/Lees’ Three’s Company – again, another example of everything I look for in a DIPA. The rebrewed Big Dipper (sans Lees) is also tasting brilliant.

 
Best Overall Beer – Your Betrayal wins outright for me, it was, and is, a true beer crush. Although, Lost and Grounded’s Running with Sceptres would have been another corner in the love triangle of UK lager had it made an earlier appearance in the year.

 
Best Branding – Its hard to look past Cloudwater and their ever changing, yet consistently wonderful labels.

 
Best Pump Clip – Elusive’s Plan-B tickled me, a moment of lightness in the Brexit madness.

attack-on-the-bounty
Best Bottle/Can Label – Northern Monk’s patrons series has produced excellent artwork and an insight into the process behind their creation, with my favourite being the 3.01 Attack on the Bounty – release the kraken!

 
Best UK Brewery – Too many to really narrow it down to one – I drink more beer from Yorkshire breweries than anywhere else, and i’d have to pick a side between Northern Monk and Magic Rock.

 
Best Overseas Brewery – Both Becky and I have been investing heavily this year in the delights of To Øl, and in particular their large cans – Sur Amarillo being my absolute favourite. Cant wait to get stuck into their Christmas beers shortly.

 
Best New Brewery Opening 2016 – The owners of North Bar took a brave step by opening their own Brewery this year, and created a range of beers that certainly weren’t out of place amongst more established greats on the taps of their outlets. Transmission IPA was an immediate hit, and even outshone Cannonball in the eyes of some. Add an excellent Pale, Kolsch and Kettle Sour to the mix, combine it with a relaxed environment and you’ve got a great afternoon in store at their tap room.

 
Best Pub/Bar of the Year – I’m staying close to home and picking the Kirkstall Bridge, not only because they’ve got a decent selection of beers on, but also because they’ve bounced back so well from the dramatic flood of last Christmas. Rammed during the summer months, inside and out, this is a truly pleasant place to drink especially after a long walk along the canal.

tap-room
Best New Pub/Bar of the Year – I’m going back to my home town for this one and nominating The Tap Room in Cliftonville, Margate. A friendly welcome goes a long way, and Phil and co at the Tap Room are certainly miles ahead of much more established places on that front. Great selection of beer, and well served – miles better than the usual flat micropub gravity pour that I’m used to on visits back home. With the opening of the Bottleshop’s first all out bar, other new Micros, and the change in direction for the Lifeboat, Margate has a varied beer scene to accompany its rebirth. Go for a visit!

 
Beer Festival of the Year – Leeds International wins again, maybe i’m being locally loyal, but they’ve got the lead on organisation and atmosphere over the other large craft festivals.

 
Supermarket of the Year – A few months ago, i’d have said Morrisons, but Tesco have pipped them to it, decent compact range of Beer at a good price. Still nowhere near as good as an indy shop, but its great for when i’m pushed for time.

 
Independent Retailer of the Year – I find this category the most difficult to choose a winner, being spolit with tons of great shops run by lovely people in Leeds. I’m going to go for Raynville Superstore this year, just for the sheer enthusiasm and gusto with which Jonny has vested into building up his range and knowledge of his products.

 
Online Retailer of the Year – My best online experience this year has been with Brewdog’s online shop. It may or not be relevant that this was my only online beer purchase this year.

 
Best Beer Book or Magazine – I dont often pick up many examples for this category, but Hop and Barley’s periodicals are always well presented and interesting when I do.

 

Best Beer Blog or Website – Even though they deserve it, I’m not going to nominate Boak and Bailey this year, but instead I’ll go for Pete McKerry’s Brew Geekery – tells me stuff about the local scene (London) and he writes in a down to earth, consistent style that I like.

 
Simon Johnson award for Best Beer Twitterer – My favourite tweeters range from the ranty, to the educational and to the all rounders, but i’d go for Tom of #craftbeerhour fame for his efforts at bringing producer and drinker together on a Tuesday night, which keeps going from strength to strength.

 
Best Brewery Website/Social Media – Magic Rock have got this category sown up, although to be fair i’m mainly awarding it for the tweets for Magic Rock Tap – regular tap lists, information well in advance about upcoming events, quick responses and a bit of wit.

Standard